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Best Events Lenses for Canon M50 Mark II

Best Events Lenses for Canon M50 Mark II

Looking for the best Canon EOS M50 Mark II Events lenses? Look no further. For the Canon EOS M50 Mark II mirrorless camera, we’ve compiled a list of our favorite Events lenses.

In addition to carrying over and improving on the great performance of the popular Canon EOS M50, the Canon EOS M50 Mark II has enhancements that will be particularly noticeable for content makers such as vloggers and others. The Canon EOS M50 Mark II features enhanced focusing, recording, and sharing capabilities, but it remains centered on the same proven 24.1MP APS-C CMOS sensor and DIGIC 8 image processor that enable a quick 10 frames per second continuous shooting rate, a native sensitivity range of ISO 100-25600, UHD 4K video recording at 23.98 frames per second, as well as Full HD 1080p60 and HD 720p120 for slow-motion capture.

Sensor-based Dual Pixel CMOS AF has been upgraded with quicker speeds and better Eye Detection AF performance, and when used in conjunction with Movie Servo AF, it offers both Eye Detection and Face Detection focusing modes to assist maintain a tight focus on the subject matter during video recording. Additionally, the 5-axis image stabilization of the Combination IS system contributes to the achievement of stable, shake-free recording by reducing the appearance of camera shake. Overall, the Canon EOS M50 Mark II is a well-balanced package offered for individuals interested in both still photography and videography – even those with a hankering to create social media content, due to the 4K UHD 24p video capture capability.

Best Events Lenses for Canon M50 Mark II

1. Canon EF-M 32mm f/1.4 STM 

  • EF-M-Mount Lens/APS-C Format
  • 51.2mm (35mm Equivalent)
  • Aperture Range: f/1.4 to f/16
  • One Aspherical Element
  • Super Spectra Coating
  • Gear-Type STM Stepping AF Motor
  • Rounded 7-Blade Diaphragm

It is a good choice for a high-end fixed focal length lens for EOS M series cameras since it produces clear details and accurate focus throughout the whole image, whether it is used for headshots with beautiful and artistic bokeh or in low light to capture tranquil night settings. The big f/1.4 maximum aperture lets in enough light for sharp detail and accurate color reproduction, while the 32mm focal length, which is comparable to 51mm on a full-frame camera, allows you to take spectacular photographs and movies in a range of circumstances. It is equipped with Super Spectra Coatings and a glass-molded aspherical lens element that helps to reduce spherical aberrations. It is designed to provide the best possible image quality. An additional feature is the use of an STM motor, which delivers rapid, smooth, and precise autofocus performance, in addition to a full-time manual focus override. Photographers and videographers will find this Canon EF-M 32mm f/1.4 STM lens useful for a variety of tasks, from professional portraiture to video blogging, to recording everyday moments and more.

2. Sigma 30mm f/1.4 DC DN Contemporary 

  • EF-M-Mount Lens/APS-C Format
  • 48mm (35mm Equivalent)
  • Aperture Range: f/1.4 to f/16
  • Two Aspherical Elements
  • One High-Refractive Index Element
  • Super Multi-Layer Coating
  • Stepping Motor AF System
  • Rounded 9-Blade Diaphragm

The Sigma 30mm f/1.4 DC DN Contemporary lens (48mm equivalent focal length) offers outstanding picture quality and brightness at F1.4, and it is suitable for a broad range of photo and video recording situations. Its gorgeous bokeh effects are sure to please users. Using selective focus techniques, the brilliant f/1.4 maximum aperture is very useful when working in low light. It also provides great control over the depth of field when working in low light. In addition to one high-refractive index element, the optical design has a pair of aspherical elements, which together greatly minimize spherical aberrations and distortion, resulting in greater clarity and definition, as well as particularly crisp image quality. Lens elements have been treated with a Super Multi-Layer Coating, which helps to reduce lens flare and ghosting while also contributing to the production of contrast-rich and color-neutral pictures, even when shooting in backlit settings. Additionally, this tiny prime has a stepping AF motor that provides smooth, near-silent focusing performance, which is beneficial for both stills and video recording.

3. Mitakon Speedmaster 35mm f/0.95 Mark II

  • Canon EF-M Mount/APS-C Format
  • 56mm (35mm Equivalent)
  • Aperture Range: f/0.95 to f/16
  • One Extra-Low Dispersion Element
  • Two Extra-High Refractive Index Elements
  • Three High Refractive Index Elements
  • Manual Focus Design
  • De-Clicked Aperture Ring
  • Depth of Field and Distance Scales
  • Nine-Blade Diaphragm

Combining an extraordinarily fast maximum aperture with a conventional focal length, this Mitakon Zhongyi Speedmaster 35mm f/0.95 Mark II lens is designed for APS-C format Canon EF-M mounts mirrorless cameras and delivers an equivalent focal length of around 56mm. It is available in black or silver. Working in low-light circumstances is made easier because of the incredibly fast f/0.95 maximum aperture, which also provides significant control over depth of field for selective focus applications as well. The 11-element, eight-group optical design incorporates one extra-low dispersion element, two extra-high refractive index elements, and three high refractive index elements, all of which contribute to a high degree of sharpness and resolution while also significantly reducing chromatic aberrations and fringing. Manual focus design is supplemented by the depth of field and distance scales, which allow for the use of pre-focusing and zone focusing techniques to be used.

4. Rokinon 50mm f/1.2

  • X Mount Lens/APS-C Format
  • 75mm (35mm Equivalent)
  • Aperture Range: f/1.2 to f/16
  • Two Aspherical Elements
  • Ultra Multi-Coating
  • Manual Focus Design
  • Non-Rotating 62mm Filter Mount
  • Rounded 9-Blade Diaphragm

In addition to being a genuinely fast prime lens with a portrait-length perspective, this Rokinon 50mm f/1.2 manual focus lens for the Canon EF-M system boasts an 80mm equivalent focal length and exceptional picture quality, including insanely beautiful bokeh and unbelievable clarity. When used in conjunction with the long perspective and brilliant f/1.2 maximum aperture, the camera provides great flexibility over focus placement. This is further enhanced by the manual focus design and rounded nine-blade diaphragm, which results in a smooth bokeh quality. A pair of aspherical elements are used in the lens design to reduce chromatic aberrations and distortions, resulting in a cleaner, sharper image quality that is free of color fringing. Ultra Multi-Coating has also been used to improve contrast by suppressing lens flare and ghosting, in addition to the other enhancements. When it comes to portrait lenses, this is the best option if you are not concerned about manual focus.

5. Rokinon 35mm f/1.2 ED AS UMC CS 

  • EF-M-Mount Lens/APS-C Format
  • 56mm (35mm Equivalent)
  • Aperture Range: f/1.2 to f/16
  • One ED and Two Aspherical Elements
  • Ultra Multi-Coating
  • Manual Focus Design
  • Rounded Nine-Blade Diaphragm

With a brilliant f/1.2 maximum aperture for Canon EF-M cameras (56mm equivalent focal length), the Rokinon 35mm f/1.2 ED AS UMC CS manual focus lens offers great control over depth of field and selective focus, as well as benefits when shooting in low-light situations and in low-light situations. There are two aspherical elements combined with one extra-low dispersion element in the optical design, which helps to reduce both chromatic and spherical aberrations while also increasing clarity and sharpness. In addition, the manual focus design allows for accurate focusing adjustment down to 1.25′, and the rounded nine-blade diaphragm helps to the creation of a beautiful bokeh effect. Its compact, lightweight, and durable construction, along with a very fast maximum aperture of f/1.2, makes it an excellent choice for portraiture as well as travel and daily photography.

6. Canon EF-M 18-150mm f/3.5-6.3 IS STM

  • EF-M-Mount Lens/APS-C Format
  • 28.8-240mm (35mm Equivalent)
  • Maximum Aperture: f/3.5-6.3
  • STM Autofocus System
  • Optical Image Stabilizer
  • Combination IS and Stabilized Panning

This Canon EF-M 18-150mm f/3.5-6.3 IS STM lens is a high-powered zoom lens with an incredible zoom ratio of up to 8.3x (28.8-240mm equivalent focal length), allowing you to capture landscapes, close-ups, and more with a single lens. It is compact and lightweight, and it is designed to fit in your pocket. In order to preserve a tiny, lightweight form factor while still providing consistent, uniform lighting and clarity across the zoom range, a complex optical design has been used. An STM stepping AF motor is used to provide rapid, smooth, and near-silent focusing performance, which is notably effective for video applications. This is especially beneficial for multimedia photographers. An Image Stabilizer is also included, which may decrease the appearance of camera shake by up to four stops, allowing for crisper handheld photography. The EF-M 18-150mm f/3.5-6.3 IS STM is an excellent choice for anybody looking for a single lens that will help them step up and capture each moment that comes their way. Its high zoom range, portable design, and superb picture quality make it an excellent choice.

7. Tamron 18-200mm f/3.5-6.3 Di III VC

  • High-Powered 18-200mm Zoom Lens
  • Designed for Use With Sony NEX Cameras
  • Stepping Motor for Improved AF
  • Lightweight 16.2 oz Lens
  • Equivalent to 27-300mm Lens

The Tamron 18-200mm f/3.5-6.3 Di III VC for Canon EF-M, with a 29-320mm equivalent focal length and Tamron’s acclaimed Vibration Compensation (VC), is a compact and lightweight all-in-one zoom lens that allows easy handheld shooting of sharp images with no camera shake in a variety of situations, from everyday snapshots to memorable travel scenes. The lens has internal focus as well as built-in Vibration Compensation image stabilization, which helps to lessen the appearance of camera shake when shooting video. In particular, the VC is advantageous when photographing at slower shutter speeds or with larger focal lengths than usual. The stepping-motor autofocus drive provides rapid and precise autofocus, which is suitable for recording video in which voices are captured, as well as for still photography. A minimum focus distance of 19.7′′ at 200mm, as well as a magnification ratio of 1:3.7, make it a good choice for those who want to capture macro shots.

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