Interested in learning more about the best Ultra-Wide Angle Prime Lenses for the Canon M50 Mark II? Our top-recommended Ultra-Wide Angle Prime lenses for the Canon EOS M50 Mark II mirrorless camera in the EF-M mount are listed below.
In addition to carrying over and improving on the great performance of the popular Canon EOS M50, the Canon EOS M50 Mark II has enhancements that will be particularly noticeable for content makers such as vloggers and others.
The Canon EOS M50 Mark II features enhanced focusing, recording, and sharing capabilities, but it remains centered on the same proven 24.1MP APS-C CMOS sensor and DIGIC 8 image processor that enable a quick 10 frames per second continuous shooting rate, a native sensitivity range of ISO 100-25600, UHD 4K video recording at 23.98 frames per second, as well as Full HD 1080p60 and HD 720p120 for slow motion capture.
Sensor-based Dual Pixel CMOS AF has been upgraded with quicker speeds and better Eye Detection AF performance, and when used in conjunction with Movie Servo AF, it offers both Eye Detection and Face Detection focusing modes to assist maintain a tight focus on the subject matter during video recording.
Additionally, the 5-axis image stabilization of the Combination IS system contributes to the achievement of stable, shake-free recording by reducing the appearance of camera shake. Overall, the Canon EOS M50 Mark II is a well-balanced package offered for individuals interested in both still photography and videography – even those with a hankering to create social media content, due to the 4K UHD 24p video capture capability.
Best Ultra-Wide Angle Prime Lenses for Canon M50 Mark II
1. Canon EF-M 11-22mm f/4-5.6 IS STM
- EF-M Mount Lens/APS-C Format
- 18-35mm (35mm Equivalent)
- Aperture Range: f/4.5-32
- Two Aspherical Elements, One UD Element
- Dynamic Image Stabilization
- Spectra Coatings
- Built-In Stepping Motor
A 35mm equivalent focal length of 18-35mm is achieved by using the Canon EF-M 11-22mm f/4-5.6 IS STM Lens, which has continuous autofocus with a built-in STM stepping AF motor to deliver smooth, a near-silent operation that is especially advantageous while video recording. When shooting video, an Optical Image Stabilizer can assist to compensate for up to three stops of camera wobble, whereas Dynamic Image Stabilization can adjust for a wide range of motion while capturing still images.
Using a 7-blade diaphragm, the camera may provide attractive out-of-focus regions, while two Ultra Low Dispersion (UD) lens elements aid to eliminate chromatic aberrations and color blurring around the subject’s borders. Also included is a combination of two aspherical lenses, which helps to eliminate spherical aberration over the whole picture area as well as throughout the entire zoom range.
A wide field of view makes the Canon EF-M 11-22mm f/4-5.6 IS STM lens a good choice for capturing group shots in confined areas, searching for the right scenery, or simply as a general-purpose walk-around lens in any situation or environment.
2. Canon EF-M 22mm f/2 STM
- Compatible with EOS M Mirrorless Camera
- Moderate Wide-Angle Lens
- Bright f/2 Lens Aperture
- Exceptional Low-Light Performance
- One Aspheric Lens Element
- Built-In Stepping Motor
- Smooth & Continuous AF
- Seven Blade Circular Aperture
- Short Minimum Focusing Distance of 5.9″
The Canon EF-M 22mm f/2 STM lens (35mm equivalent to 35mm) is a moderate wide-angle lens that is tiny and light enough to carry along with you wherever you go. It is ultra-slender and compact. It has a smooth and continuous autofocus system with a built-in stepping motor, as well as a circular aperture with seven blades.
Its wide f/2.0 lens aperture, along with the big sensor of the EOS M series camera, allows it to deliver remarkable low-light performance while still producing attractive background blur in portraiture. Designed specifically for moviemakers, the Canon EF-M 22mm f/2 STM lens has an internal step motor to deliver smooth and silent continuous focusing while shooting video with a Canon M50 Mark II digital camera. Soft-focus backgrounds are created by a circular aperture (7 blades), and a short minimum focusing distance of only 5.9 inches (0.15 meters) allows you to photograph objects that are closer to the camera.
3. Sigma 16mm f/1.4 DC DN Contemporary
- EF-M-Mount Lens/APS-C Format
- 25.6mm (35mm Equivalent)
- Aperture Range: f/1.4 to f/16
- Two SLD Elements, Three FLD Elements
- Two Aspherical Elements
- Super Multi-Layer Coating
- Stepping Motor AF System
- Weather-Sealed Construction
- Rounded 9-Blade Diaphragm
The Sigma 16mm f/1.4 DC DN Contemporary lens for Canon EF-M combines a comfortable wide-angle design with an ultra-fast maximum aperture to provide a 25.6mm equivalent focal length. It is designed to strike a balance between convenience and performance, and it combines a compact, lightweight build and versatile handling with notable optical characteristics.
In addition to being capable of functioning in low-light circumstances due to its brilliant f/1.4 maximum aperture, this lens also provides improved control over depth of field for selective focus adjustment. Color fringing and other aberrations are controlled by a number of low dispersion and aspherical components in the optical design, which results in excellent sharpness and clarity over the whole aperture range.
Individual elements are also equipped with a Super Multi-Layer Coating, which helps to reduce flare and ghosting while working in bright lighting settings, resulting in improved contrast and color accuracy. In addition to the optical advantages, this lens is equipped with a stepping AF motor that provides rapid, silent, and smooth focusing performance that is suitable for both still photography and videography applications.
4. Rokinon 12mm f/2.0 NCS CS
- Canon EF-M Mount/APS-C Format
- 19.2mm (35mm Equivalent)
- Aperture Range: f/2.0 to f/22
- Three ED and Two Aspherical Elements
- Nano Coating System
Rokinon’s 12-millimeter f/2.0 NCS CS lens has a 35mm-equivalent focal length of 19.2 millimeters and a wide 98.9-degree field of view, making it an excellent choice for architectural, interior, and landscape photography. In low-light situations, it is particularly successful because of its f/2.0 maximum aperture, which allows it to regulate the shallow depth of field to provide precisely focused subject images against a pleasingly out-of-focus backdrop.
Three extra-low dispersion elements and two aspherical elements have been incorporated into the optical design in order to minimize chromatic aberrations and distortion in order to produce sharper images. Three extra-low dispersion elements and two aspherical elements have been incorporated into the optical design in order to create sharper images.
The lens elements have also been treated with a Nano Coating System (NCS) in order to decrease surface reflections and eliminate lens flare and ghosting, resulting in increased light transmission and a more contrast-rich picture.