Best Wide-angle Zoom Lenses for Canon M50 Mark II


Searching for the best Wide-angle Zoom lenses for the Canon M50 Mark II? Look no further! For the Canon EOS M50 Mark II mirrorless camera, here is a buying guide to help you select the best wide-angle zoom lenses.

For those who have recently purchased a Canon EOS M50 Mark II, the next step is to identify the most appropriate Wide-angle Zoom lenses for their Canon M50 Mark II camera. In order to assist you in obtaining a professional-looking shot, we examined all lenses from Canon and other manufacturers. We selected the best Wide-angle Zoom lenses for the Canon M50 Mark II mirrorless camera based on their affordability, usefulness, and high image quality, which included the industry’s leading wide-angle zoom lenses.

Best Wide-angle Zoom Lenses for Canon M50 Mark II

1. Canon EF-M 11-22mm f/4-5.6 IS STM

  • EF-M Mount Lens/APS-C Format
  • 18-35mm (35mm Equivalent)
  • Aperture Range: f/4.5-32
  • Two Aspherical Elements, One UD Element
  • Dynamic Image Stabilization
  • Spectra Coatings
  • Built-In Stepping Motor

A 35mm equivalent focal length of 18-35mm is achieved by using the Canon EF-M 11-22mm f/4-5.6 IS STM Lens, which has continuous autofocus with a built-in STM stepping AF motor to deliver smooth, the near-silent operation that is especially advantageous during video recording.

When shooting video, an Optical Image Stabilizer can assist to compensate for up to three stops of camera wobble, whereas Dynamic Image Stabilization can adjust for a wide range of motion while capturing still images. Using a 7-blade diaphragm, the camera may provide attractive out-of-focus regions, while two Ultra Low Dispersion (UD) lens elements aid to eliminate chromatic aberrations and color blurring around the subject’s borders.

Also included is a combination of two aspherical lenses, which helps to eliminate spherical aberration over the whole picture area as well as throughout the entire zoom range. A wide field of view makes the Canon EF-M 11-22mm f/4-5.6 IS STM lens a good choice for capturing group shots in confined areas, searching for the right scenery, or simply as a general-purpose walk-around lens in any situation or environment.

2. Sigma 16mm f/1.4 DC DN Contemporary

  • EF-M-Mount Lens/APS-C Format
  • 25.6mm (35mm Equivalent)
  • Aperture Range: f/1.4 to f/16
  • Two SLD Elements, Three FLD Elements
  • Two Aspherical Elements
  • Super Multi-Layer Coating
  • Stepping Motor AF System
  • Weather-Sealed Construction
  • Rounded 9-Blade Diaphragm

The 16mm f/1.4 DC DN lens from Sigma combines a comfortable wide-angle design with an extremely fast maximum aperture to create a 25.6mm equivalent focal length for Canon EF-M mount mirrorless cameras. The lens is part of the Contemporary series of lenses and part of the Sigma Contemporary series of lenses.

In addition to being capable of functioning in low-light circumstances due to its brilliant f/1.4 maximum aperture, this lens also provides improved control over depth of field for selective focus adjustment. Color fringing and other aberrations are controlled by a number of low dispersion and aspherical components in the optical design, which results in excellent sharpness and clarity over the whole aperture range.

Lens elements have been treated with a Super Multi-Layer Coating, which helps to reduce lens flare and ghosting while also contributing to the production of contrast-rich and color-neutral pictures, even when shooting in backlit settings. In addition to the optical advantages, this lens is equipped with a stepping AF motor that provides rapid, silent, and smooth focusing performance that is suitable for both still photography and videography applications.

3. Rokinon 12mm f/2.0 NCS CS

  • Canon EF-M Mount/APS-C Format
  • 19.2mm (35mm Equivalent)
  • Aperture Range: f/2.0 to f/22
  • Three ED and Two Aspherical Elements
  • Nano Coating System

Rokinon’s 12-millimeter f/2.0 NCS CS lens has a 35mm-equivalent focal length of 19.2 millimeters and a wide 98.9-degree field of view, making it an excellent choice for architectural, interior, and landscape photography. In low-light situations, it is particularly successful because of its f/2.0 maximum aperture, which allows it to regulate the shallow depth of field to provide precisely focused subject images against a pleasingly out-of-focus backdrop.

Three extra-low dispersion elements and two aspherical elements have been incorporated into the optical design in order to minimize chromatic aberrations and distortion in order to produce sharper images. Three extra-low dispersion elements and two aspherical elements have been incorporated into the optical design in order to create sharper images. The Nano Coating System enhances light transmission while also suppressing lens flare and ghosting, resulting in pictures that are more contrast-rich and color-neutral.